Seeing and Knowing

96pp, numerous black and white illustrations.  White publisher's cloth-covered boards, gilt-stamped lettering on the spine. 8vo.  Cloth a little rounded at corners and spine ends.  Internally neat, clean, bright and tight throughout.  In its original illustrated, glossy dust wrapper, very gently bumped on extreme edges. Berenson's 1948 essay in which he argues that our appreciation and understanding of art is governed as much by what we know as it is by what we see; it is also a witty and profound critique of Modern Art.